Posts in Art

Bdice and the Daily 16

Local Hip-Hop artist Bdice created a movement called Daily 16. He took a moment out of every day for the last 365 days to write and record a 16 bar verse to pay dues, challenge and improve himself. He recently finished his last day and with the editing help of E-Say (@SayEsay) and mixing by DJ Invizible (@DjInvizible) he put a bunch of them together into a full-length music video. The result is impressive, and it’s sick to see so many familiar locations in the videos.

Directed By E-Say/Bdice, written/recorded by Bdice.

If the one video isn’t enough for you, you should really check out his YouTube page and go back to the beginning. Or start from the end and work your way back. I don’t care, just watch more of them. Here’s the first 200 to get you started.

Riot on the Roof 2012

Article Submitted by Kirsten Barkved / Submit Your Own Article

Things to do for August:

  • BBQ’s
  • Road trips
  • Planking on beaches
  • Avoid eye contact with September
  • Play hooky from awkward family reunion with sweaty Aunt Muriel
  • Attend Vernon Public Art Gallery’s 4th annual Riot on the Roof.

What was that last one?
If you haven’t already heard, the Vernon Public Art Gallery is gearing up for its annual summer send off party, Riot on the Roof, August 25th, colonizing the top two floors of the downtown Vernon Parkade. This amazing community event features some of the Okanagan’s finest and most talented artists, performers and musicians.


Established to fill a need in the community for some alternative art for the older youth of Vernon, Riot transforms the downtown Parkade into a threshold of unique and unconventional venue.

“We wanted to really build on our audience this year,” says Kirsten Barkved, Youth Ambassador for VPAG, and coordinator for Riot. “The more people we can bring out to this event, the better we can support our artists. The gallery really tries to drive that point home every year: that art is significant, and support for it is crucial. It plays such a huge part in everyone’s lives, in so many everyday ways, and Riot tries to showcase that.”

Everyone at the gallery has been working hard all summer at generating such an audience, and the enthusiasm for this event continues to grow. It’s easy to see why, when you look at exactly who and what will be at Riot on the Roof.

Devon Coyote, Windmills, Van Damsel, Joyful Door and Paperboy. Sharing the rooftop with these talented performers is a Calgary designer and mixed media artist, Mackenzie Jones, whose work has appeared in L.A, Vancouver Fashion Week and Toronto Alternative Arts and Fashion Week. Her work will appear in Riot’s Wearable Art Fashion Show.

The evening also promises ‘soundcan’ performances from UBC-O’s Neil Cadger and students, film screenings from UBC-O’s Michael V. Smith and students, body art from Dawn Tyndall, mural painting from Kelowna’s Tandem Studios, installation art, appearances by Kevin McPhereson Eckhoff and Jake Kennedy, poetry and spoken word readings, dance, door prizes, and so much more!

Now, what were your plans again for August?
Tickets $5, or $10 which gets you year-long VPAG membership, not to mention it goes to support your local artists, musicians and performers.

Where: Vernon Parkade (3228 31 Avenue, Vernon)
When: Saturday, August 25th – 7:00 PM—11:00 PM
How Much: $5 / $10 for  Year-long VPAG Membership
For: Everyone

Event page on Facebook
Riot on the Roof blog

A Crush of Colour: A Celebration of Art and Wine

Article Submitted by Jennifer Pickering / Submit Your Own Article

Art and wine lovers are enjoying a unique blend of Okanagan entertainment this summer at picturesque Okanagan wineries.

Beginner to experienced art lovers are celebrating the colours of the Okanagan at workshops hosted by A Crush of Colour. Each workshop starts with a wine tasting after which participants provided with the materials and instruction to paint “En Plein Air” in the style of the masters.

Crush of Colour is a project by Jennifer Pickering, an artist based in Kelowna with an MFA in studio arts from UBC Vancouver. According to the artist, “The workshops are the perfect opportunity to relax on a patio with a stunning view, try your hand at painting and learn to see colour as you’ve never experienced it before.”

Crush of Colour will be coming to Kelowna at the View Winery and Tantalus Vineyards from July 17—August 9 and Sonoran Estate in Summerland August 23—28.

For more information visit:

Art at The Roxby Call for Submissions

OPEN CALL FOR SUBMISSIONS! Uptown Rutland Business Association is looking for local artists to participate in Art at The Roxby.

Art at The Roxby is a collaborative project with the Arts Council of the Central Okanagan (ARTSCO), Okanagan Arts and Culture (, the City of Kelowna, and the Uptown Rutland Business Association.

For more information—and to register on-line—visit:
Or call the URBA office: (250) 451-9861

Submission deadline is July 22nd to participate for the month of August. This is a juried event.

Lbourgo Wins a Weekend Pass to Keloha!

There were a lot of great #aokendlessummer entries for our Keloha weekend pass contest but only one winner! We love that Lisa Bourgault (@lbourgo) had the wherewithal to force her friends into freezing water, and we feel that encapsulates the summer spirit in the Awesome Okanagan! If we’re lucky, she’ll tweet #aokendlessummer all weekend and we can see what she gets up to!

“Land Awakening” Documentary in Penticton

Filmmaker Raul Alvarez

On Monday June 11th the Western Canadian premiere of the independent documentary by Mexican-Canadian filmmaker Raul Alvarez’ “Land Awakening” will be showing at the Okanagan College Lecture Theatre in Penticton.

“Land Awakening” is my personal journey to experience hands-on organic sustainable agriculture, turning into the discovering of alternative technologies and approaches to producing and gathering food.  The experience resolves to a spiritual reflection into our deep and sacred relationship with the Land.  It has been a long personal challenge to put at test my perseverance and commitment to the cause of healthy food and to my profession.”

Roused by his son’s WWOOFing (World Wide Opportunities on Organic Farms) expedition to Spain, Raul set off on his own journey which eventually took him around the Mediterranean and back into Canada.

Ines Sanchez of the Institute Of Permaculture Monsant

Through dynamic characters comes exploration into alternative ways of understanding terms like ‘agriculture’, ’tilling the soil’, ‘supermarkets’ and even ‘weeds’.  What we have come to depend on as ‘easy living’ is nothing more than huge profit for mega-corporations and pharmaceuticals;  in fact a supermarket is not ‘easy’ for the consumer!  It’s full of confusion and trickery and 9 out of 10 times you come out with way more purchases than you wanted, or spent way more money than you intended.

We’ve learned to survive without having any responsibility for our humanly consumptions or the impact we make on the earth we all live and depend on.  But there

Francois Couplan

are people out there who giving back and in turn re-building the foundations of a happy and healthy community where everyone prospers.  Call it a revolution, call it a global transformation – regardless,  filmmakers like Raul Alvarez are capturing it on film for the rest of us to see.  Once you can see someone else ‘doing it’ the idea of an honest and sustainable life doesn’t seem ‘utopian’ but rather attainable and ENJOYABLE!

A big thank you to C.URB – Centre for Urban Agriculture and Nikos Theodosakis from “THEOS Restaurant” both of Penticton for showing their generosity and support for this event.

Where: Okanagan College, Penticton Campus Lecture Theatre
When: Monday, June 11th – doors open at 6:30 PM, show starts at 7 PM
How Much: $10
For: Everyone

For more information click here…

Room for the Underdog

Tanja Woloshen‘s dance performance last May 25 at the Alternator Gallery

These People Are A-OK: Tanja Woloshen

If you have spent much time at the RCA this week, you have probably seen a nymph dancing around the Alternator gallery, or someone drawing precariously from the top of a ladder. Those two women are Tanja Woloshen and me – Brit Bachmann – installing for Tanja’s performance piece, Room for the Underdog happening this Friday.

Tanja is a live artist, dancer, choreographer and teacher from Winnipeg, currently based in the Okanagan. She is a UBCO MFA candidate, and Room for the Underdog marks the end of her degree. Although this weekend’s performance encompasses many themes, it is primarily an exploration of queer and gender studies. Tanja, being one of the most manically difficult women to pin down, agreed to an email interview:

It is impossible to discuss your art without mentioning rhizome. For those who don’t know, rhizome is a botany term that refers to the lateral growth of roots. It is a contemporary remodelling of the word, rhizousthai, which means to take root. How is rhizome interpreted in your performance practice?
Yes! The rhizome! Thanks for bringing this up. It was near the beginning of my MFA program where I was feeling a bit like my head was lost in dense theory clouds, and my body felt very ungrounded. As a dancer, this feeling was quite unsettling to my practice to say the least, scary even. It was during a session in the dance studio, as I was improvising and preparing for a show, that the notion of rooting came through my movement and lyrical writing. I became very interested in how through the body we can connect new, past, and present experiences, and how they are / we are growing sideways, intertwining as part of a larger cosmology. It was from that curiosity that I structured a piece called lady rhizome. I can say that this way of being and perceiving – rhizomatics – has influenced my entire body of work, far more than any vertical, hegemonic or capitalist system The rhizome in my art lends to feminist, queer, and maybe  even ecological perspectives.

One fact that people may not know about you is your insatiable fascination with hmmm… objects. A few weeks ago you were kind enough to give me a tour of your studio, which features many of these object. I got to witness you dance through these props with a playfulness that I haven’t experienced myself since I was a child. Are these meant to channel your inner child, or do they serve another purpose?
Haha! Yes- I am working with many ‘objects’ in Room for the Underdog, and I appreciate your discretion keeping them surprises for the show! The early research stages of this work focused on recognizing queerness; I was stumbling with how I wanted to explore this, without say, creating a queer wedding- which has been done before and is very politically complex. As I broadened my perspective, I thought of children, of how/when/why we teach them about ‘normal’ and how children are queer. By that, I mean that children are queer in time and space with their imaginations and perceptions of the world. I started to introduce my ‘objects’ to create a space loaded with memories of celebrations, anniversaries and rituals. I also like using them as metaphors of containers. They’re also suynthetic and fragile and fascinating… I could go on!

I am going to digress to a little self-flattery now- what attracts you to my continuous line drawings? Although we specialize in different mediums, our styles complement each other quite well. Why do you think that is?
Brit Bachmann, yes! You deserve some flattery, absolutely. It’s a bit magnificent that I found you! I feel so very lucky. In a very early stage of Room for the Underdog, I had taped some drawings to my studio wall, thinking I would expand them for my show. I wanted to intuitively create a space that was like a queer paracosm. However, creating drawings would have been a huge stretch for my practice. Rewind six months to when I attended a show in the FINA Gallery at UBCO- I saw an unfolded, almost accordion-like booklet of line drawings that completely intrigued me. So much so, that I took a picture of the work and made a mental note to find the artist. Fast forward to a couple months ago- I was asking around for artist recommendations and Amy Modahl suggested you! I love when connections happen like this. You and I were a collaboration waiting to bloom! And to answer your question, your work appeals to me because it branches off the same energy that I dance to; it seems that we both speak rhizome.

One of our first conversations was about how you practice butoh as an expression of your studies in gender. Can you elaborate?
Butoh, like the rhizome philosophy I mentioned earlier, is about dancing inter-connectively with the universe. The dancing body in butoh isn’t so concerned with gender, it is itself a queer practice in a way. The dance of butoh is a practice of transformation, fluid identities, experiences and shapeshifting perceptions. This may sound overly thoughtful, but it is actually quite freeing. To dance, and allow your body to be like a channel or a conduit is both empowering and humbling. In butoh dance, both feminine and masculine qualities ebb and flow. Although its energy can be very sexual at times, it is a non-gender specific practice, which is refreshing to experience.

Although they can be meditative, practices such an butoh still require an incredible amount of physical and mental endurance. How do you keep your body and mind in sync? Are there certain ways you prepare for your performances?
Definitely. Oftentimes people see butoh onstage or in film, and see it as slow or boring. Still curious, these people take a workshop and KABAM! Hooked. Because the work is largely guided by internal images – which could be anything from wrestling ghosts, having ants overcome your body, or having flowers blossom from your pores – the bodymind need to be both strong and relaxed. Butoh practices for me includes an immense amount of cardiovascular exercise, visualization of movement, and meditation. When I am sourcing a new work, I can spend hours in the studio. I rely on a responsive relationship with my bodymind as I create.

Friday’s performance at the Alternator is the culmination of over a decade’s worth of university study in performance and art history. Now that you will have your Master’s degree, what comes next?
Thank you. It’s nice to see the light and the end of the tunnel! I have been extremely fortunate to keep up my teaching practice and develop my pedagogy in addition to my studies. At UBCO I have had the delightful fortune of teaching movement classes in the performance stream, and (hopefully) inspiring students to discover themselves in their bodies. After my time at UBCO I will be continuing to teach. Fingers crossed! I also have a few dance projects in the cooker: a collaboration with Paris to Kyiv and Balanced Records, a group work about Temple Grandin, and the next shard to a series called Doctrine of Signatures: i Bloodroot, a project I began a few years ago that documents my time in British Columbia. If any botanists out there would like to suggest an indigenous Okanagan plant as this signature, I would be thrilled to hear about it this weekend.

Where: Alternator Centre for Contemporary Art (421 Cawston Ave, Unit 103, Kelowna)
When: Friday, May 25, 2012 — 3:00pm—6:00pm
Artist Reception: Saturday, May 26, 2012 — 5:00pm—7:00pm
How Much: Free
For: Everyone